AICE Media Studies

  At the beginning of the scene, we will show our title in Arial font because it's bold and stands out easil y to entice the viewer .   Our title as of now is PRO T E CT THE PRESIDENT. We might change it in the editing process, but it fits the theme of the film, and we made it in all caps to pop out more and make it seem like a serious situation.   We're going to start the scene with the title on the screen for about 3 seconds then it will immediately fade away to a high-action scene to create a sense of urgency , which is why the title is in caps. Since the suits we will be w earing will be black we will probably make the title a brighter color like red or blue . The credits to the actors and editors will also be presented in brighter colors because we want the name to the credits on the actors' suits and the editing credits will be somewhere at the entrances of buildings or cars . Something like Played By: Albert Johnson. The title will be shown one more time

  FADE IN: EXT. THE WHITE HOUSE - DAY The camera shows the iconic White House from different angles. Suddenly, a group of heavily armed men in black outfits rushes into the premises, breaking through the gate and overpowering the Secret Service agents. INT. THE OVAL OFFICE - DAY PRESIDENT JACKSON (50s) sits at his desk, scrolling through some documents. Suddenly, the door bursts open, and the masked men rush in, grabbing the President and pinning him to the ground. PRESIDENT JACKSON: (struggling) Who are you? What do you want? MASKED MAN: (in a cold, emotionless voice) We want you, Mr. President. Come with us if you want to live. The masked men drag the President out of the Oval Office, leaving the room in chaos. The camera follows them as they run through the halls, guns blazing, taking out any Secret Service agent who tries to stop them. EXT. THE WHITE HOUSE - DAY The kidnappers push the President into a black van waiting outside. One of them, the leader, removes his mask, revealing

Props:    We have a lot of props in idea to use. We are planning to use toy guns as props. We also plan to use many items like plastic knifes , walkie talkies, and badges to make are actors look like special agents. We also may use some cardboard or plastic to make barricades and obstacles.     Costumes:   For costume we plan on using all black clothing. We will use long sleeve and sweatpants to make it fit in with the idea of a special agent team. We also have ski masks to cover the faces to make things even more realistic. We plan to have the president in a suit with some form of indication that its the president.    Schedule:   As of now we plan to film over the period of spring break 5/17-5/26. This time period allows all the actors we need to be free at the time. This will also give us lots of time so there is not big breaks in between filming days.    Location list:   Our main location is to go to our friend Felipe's apartment. This will give us tons of space to wo

  1. What titles are displayed during the opening sequences?    The titles displayed consist of the production companies, the film's director , significant actors, casting director, co-producers, visual effect supervisor, music supervisor, music curator, costume designer, editing directors, production designer, executive producer, additional prod ucers, and writer.   2. What images are prioritized in the opening sequence?   The images for the first half are mainly Egyptian themed, showing paintings of cleopatra, and objects she owned. The second half focuses on the creation of a cleopatra egg and showcases all the labor associated with its  craftmanship.     3. What connotations do these images carry?   The main connotation communicated is mystery and a globe-spanning search that is about to take place. The title sequence truly feels like a genuine buildup to a large-scale adventure uncovering secrets.     4. How does the film establish a feeling of the genre from the outset?